I’d wager that most of you visiting don’t remember the first live-action Spider-Man
on screen.
Clearly, based on the image above, I don’t mean Tobey Maguire. Or Nicholas Hammond, who starred as Peter Parker over 12 episodes of The Amazing Spider-Man on CBS starting in 1978, spun out of a TV movie the year before — or even the stuntman inside the costume for most of that show, Fred Waugh. Or, for that matter, Shinji Tōdō; he led Toei's スパイダーマン [Supaidāman], a very loose adaptation of the Marvel character, which aired in Japan during roughly the same span as its American counterpart.
No, I’m talking about Danny Seagren.
Mere weeks after rewatching 1941’s The Adventures of Captain Marvel as part
of the personal film festival I’d assembled for my 50th birthday, which I’ve neglected to dig into here for literal ages now, I was surprised and delighted to see its Billy Batson pop up on a 1974 episode of Shazam!
The CBS show was a staple of Saturday mornings during my childhood, as I noted in April of this year (and long before that). I’m hoping to write about the Republic serial at greater length the near future, but I first checked it out in high school — on a set of VHS tapes from West Coast Video — having read praise for it in Comics Buyer’s Guide; on both viewings, it lived up to its reputation as one of the finest of its kind. Even if Frank Coghlan Jr.’s Billy and Tom Tyler’s Captain Marvel don’t perfectly mirror their comic-book inspiration any more than do their Filmation counterparts — the serial gives us sparks and smoke in place of magic lightning, although it does have the ancient wizard himself rather than six Immortal Elders — we get some genuinely thrilling superheroics for the era.
I’m among those who saw the early trailer for and the new extended look at James Gunn’s upcoming Superman and wondered just why so much time was spent on a bloodied, battered Man of Steel.
Of course, I thrilled at the brief glimpses of him being heroic — flying with purpose
and protecting a child. And I get wanting to showcase Krypto; I do have concerns about the film, but not that shaggy fella beyond my perennial problem buying even the most impressive CGI.
I’ve mentioned before on the blog — 15 years ago, granted — how much I loved Shazam!, Filmation’s live-action series based on the original Captain Marvel that aired Saturday mornings on CBS in the mid ’70s.
Not very long ago it was incorporated into a dream of mine. An immortal Elder from the show appeared to me but (a) he looked more like Batman foe Maxie Zeus as drawn by the great Don Newton than Zeus himself or any of the other legendary figures making up the acronym that is Billy Batson’s magic word — yet still in the style used to illustrate those figures in the ethereal vision sequences in which they appeared, unmoving — and (2) he freaked me out by lifting his arms up instead of remaining static. I think he was giving me a mission that had something to do with cats.
Unlike most dreams, I could trace the components of this one quite clearly to stuff
from my waking life. It came as Matt Re’s look at the stretch of Batman and Detective Comics written by Gerry Conway, which ran throughout 2024 on his blog Not a Hoax! Not a Dream!, was drawing to a close; a fair number of those stories were penciled by Newton. And more germanely to the post I’m writing now, I’d begun playing the intro to Shazam! in an act of self-soothing on an almost daily basis to center myself before getting down to this or that task amidst my latest health crises and the general insanity of life.
I saw Dark Phoenix this summer and, not for the first time, was amazed at how my reaction to a $200 million effects-laden event film with bankable stars reprising popular roles could be “That was it? Eh.”
No spoilers ahead.
There’s no way for me to do this subject justice but, despite the lateness, it doesn’t
feel right to let it pass without mention here.
Panel from “Once Upon a Time...” in Detective Comics #500 © 1981 DC Comics. [enlarge]
Len Wein, who died at 69 on Sept. 10th, provided me and an untold number of
other readers with countless moments of wonder. On top of that, Len was very much
a mensch. I saw him indulge fans at conventions with anecdotes many creators would surely have long since tired of telling, and he graciously spoke to me at length for a Comicology article celebrating the 25th anniversary of the “new” X-Men at a time — shortly before the release of the 2000 film — when dozens of journalists were likely ringing him up.
A photo of The Flash as he’ll appear in Zack Snyder’s upcoming Justice League has been released. Right away I, well, flashed on the classic cover you can see next to it below.
I quite like how the CW TV incarnation turned out, especially with a white background having replaced the red on his chest insignia, despite the first promo shots featuring him in an extremely awkward position. We have a much clearer head-on look here than we did there, however. My big question, as Snyder and his associates were probably not meaning to homage this delightfully ridiculous old tale, is why and how Barry forged that grungy armor out of candied apples.
Cover of The Flash #133 © 1962 DC Comics. Pencils: Carmine Infantino. Inks:
Murphy Anderson. Letters: Ira Schnapp. Colors, Script: Unknown. [enlarge]
Related: No Small Parts • Kind of Blue • Stars and Gripes
ABC finally canceled Marvel’s Agent Carter last week. The short-run winter series, which spelled the fall and spring halves of Agents of SHIELD these past two years, had been a ratings disappointment. Once star Hayley Atwell was cast by the network in a potential regular-season legal drama, now picked up to series, writing met wall.
You can’t entirely blame ABC, who clearly wants to be in business with Atwell.
SHIELD itself hasn’t exactly been a ratings bonanza — due in part to ongoing identity crises, tensions between Marvel’s film and television enterprises that leave the big-screen blockbusters bereft of nearly any reference to (and, thus, what should be no-brainer promotion of) the show, and the general demands that “peak TV” has put on viewers’ time. I’ve enjoyed both SHIELD and Carter, however, even as what they do well makes my frustration over what they could be doing better all the greater.
The Flash: Can he outrun Superman — or Supergirl? We may get an answer in
the Mar. 28th episode of the latter’s CBS series.
Teddy Sears as Jay Garrick in The Flash Ep. 2.01 “Flash of Two Worlds” © 2015
CW Network. Photo: Cate Cameron. Character TM/® DC Comics.
I didn’t see Tuesday’s Flash episode until after midnight — so it ended up a birthday present. And it was a gift to all the fans who’ve loved DC’s multiverse for decades. I’m honestly not able to put my reaction into words, because it basically involved giving
the astral projection of my 6-year-old self a high-five.
This post is currently down for maintenance.
We got a new trailer for Batman v. Superman: Dawn of Justice last month to coincide with the sprawling media crush of San Diego’s Comic-Con International.
I’ll admit that the movie looks impressive on its own terms. While Man of Steel had potential as a riff on the superhero genre with a heavy sci-fi bent, however, it was a terribly misguided Superman film. Based on the footage and conversations regarding its sequel, Zack Snyder continues to be at least as far off target in translating DC’s oldest, greatest icons from page to screen as he was in adapting Watchmen a half-dozen years back. (Read my non-spoiler post or my longer review of Man of Steel, and my detailed review of Watchmen, for more.)
Snyder et al. have jumped right to Frank Miller’s Dark Knight — a possible future extrapolating from the comics of the time in which a weathered Batman comes out of retirement and tangles with a godlike Superman whom he views as too powerful and too simplistic in the embrace of justice and the American Way — by setting up that dichotomy in the characters’ first meeting absent the weight of their history together. Huh?
One tiny spoiler for Ant-Man coming up after this odd image…
At this week’s TV “upfronts” we got trailers for CBS’ new Supergirl, to air Mondays at
8 p.m. ET come November, and the CW Arrow/Flash spinoff DC’s Legends of Tomorrow, which bows at midseason. [bad links]
Ra's al Ghul is practically a millennial next to the immortal Vandal Savage, who’s mentioned in the latter. I’d love to find out that he or some continuity-altering character from the comics (say, Glorith or the Time Trapper) has prevented Kal-El from becoming Superman on the current “Earth-CW”. Perhaps once Rip Hunter’s motley crew properly resets history the Arrow/Flash universe could merge with that of Supergirl or otherwise establish Superman and Batman as existing in that universe — and Man of Steel as but a glimpse into a sad, twisted parallel reality.
Promo image © 2015 Warner Bros. Entertainment.
Related: Kind of Blue • When Barry Met Ollie • Live-Action Comics
Here’s our first look at Melissa Benoist in costume for CBS’s upcoming Supergirl.
Photos: Bonnie Osborne / Warner Bros. Entertainment © 2015.
A friend was decrying the dark blue on Facebook and he’s not alone there. I don’t
mind it myself. Bruce Timm & Co. opted to go in that direction for the WB Superman animated series in 1996, harkening back to the earliest depictions in the comics as well as the 1940s Fleischer cartoon shorts, and I think darker colors in general tend to work better in live-action portrayals. The Flash has done all right with a mostly lighter superhero — in tone — wearing a darker red than we get on the page. (Of course, Man of Steel went dark too…)
The CW’s Flash/Arrow crossover last week was loads of fun.
Still from The Flash 1.08 “Flash vs. Arrow” © 2014 CW. Photo: Diyah Perra.
I’d like to get to full-on reviews of both shows this season, but my inner 6-year-old demands that my adult self acknowledge this super-cool undertaking now. Just seeing
a green arrow slice through The Flash’s usual title sequence on Tuesday night and a lightning bolt flash through Arrow’s on Wednesday put a big, goofy grin on my face.
Groot might have been the breakout star of this past summer. I suppose to a broader extent he’s one half of it — er, them — as part of a tandem with his pal Rocket. Or perhaps the honor goes to the entire headlining quintet of Guardians of the Galaxy.
Cover of Tales to Astonish #13 [digital] © 1960 and Groot TM Marvel
Comics. Pencils: Jack Kirby. Inks: Steve Ditko. Colors: Stan
Goldberg. Letters: Artie Simek. Script: Stan Lee.
My reviews of Fox’s Gotham and The CW’s newly expanding Arrow/Flash
universe would be up by now had I not started tinkering with images to accompany them. Which is how these happened.
Superman
Inset: Detail of cover to Action Comics #1 © 1938 DC Comics.
Photo: Still from Superman Returns © 2006 Warner Bros. Entertainment.
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