The Bourne Identity, which introduced Matt Damon as human weapon Jason Bourne in 2002, was very good. Its 2004 sequel, The Bourne Supremacy, was great, as was 2007's The Bourne Ultimatum. Last year's The Bourne Legacy, a spinoff focused on another agent played by Jeremy Renner, was not as good as any of them but had its moments nonetheless. I'll expound a bit, without spoilers, after the graphic.
Poster © 2012 Universal Studios.
More years ago than feels possible I drew up a cartoon like this for a Hillel seder in college. I've yet to come across it in my files but with today's technology I was able to rebuild the thing better, faster, and stronger.
Not that I'm about to draw a whole strip, but I kind-of want to read this.
Updated and revised June 2019
Text/Design: Brian Saner Lamken © 2013.
Dick Tracy created by Chester Gould and ® The Tribune Company.
Kindred Posts: Braids of Glory • Nice Day for a Sprite Wedding • Earth's Mightiest Hushpuppy
I'm not sure what I can say about Celeste and Jesse Forever without giving too much away.
Celeste and Jesse, played by Rashida Jones and Andy Samberg, are best friends since college who married and then amicably separated while remaining buds. The entire plot revolves around whether they reunite and/or how they cope with drifting apart.
If I tell you Forever is a comfort film — not that I'm doing so — you'd probably guess that there's a happy ending. If I tell you that Forever should only be viewed if you can handle relationships going south — not that I'm doing so — you'd probably guess that there isn't. If I tell you that Forever is good enough to withstand either the cliché of the happy ending or the bummer of the alternative, well, I'd be speaking untruth, albeit not of great magnitude; Celeste and Jesse Forever is good, just not quite good enough for me to honestly say I enjoyed [whatever happened].
Spoilers after the poster, then!
Poster © 2012 Sony Pictures Classics.
Okay? You saw it or just don't care?
As great as the political satire on The Daily Show and The Colbert Report is, sometimes the shows' finest comedy is wrung out of human-interest stories on the smallest scale.
Screencap © 2013 Comedy Partners.
On Monday Colbert led off with an installment of its occasional series The Enemy Within about some misplaced scallop gonads in Maine. It's a great mix of, on the one hand, making fun of these kinds of field pieces and, on the other, just letting the ridiculous nature of the incident speak for itself. You're guaranteed to laugh or the next post on this blog is free. [Warning: Scallop gonads, in case you missed that, but they're really just the macguffin.]
Is Argo worth a watch? No doubt.
Was it worth an Oscar? Not given its competition, as far as I'm concerned, as I wrote at the end of my post-Oscars post last week. But the fact that Argo is merely one of my top five or so movies of 2012 rather than the number-one pick ain't bad. Some thoughts on it that include mild plot spoilers follow the graphic.
Argo DVD package art © 2013 Warner Home Video.
Maybe there was faint hope of uniting all six men who played James Bond in the cinematic Eon canon on stage last Sunday at the Oscars in honor of 007's half-century in film. All we got was a decent but not exceptional montage and Shirley Bassey singing the theme from Goldfinger, which for the first minute or so I remained unconvinced was not Maya Rudolph doing Shirley Bassey singing the theme from Goldfinger. The Internet, luckily, is here to soften the blow with heaps upon heaps of bloomin' Bondage.
The Bond movies' 50th anniversary actually fell last year — October 5th, to be precise, on the date that Sean Connery's debut as Bond in Eon Productions' adaptation of Ian Fleming's Dr. No hit screens five decades before. Here are seven links — not counting the self-serving ones — that (mostly) honor the Bond legacy, particularly in film.