Avatar is back in theaters with extra footage, exclusively in 3D. I saw it a couple of weeks into its original release and have been waiting for just such an opportunity to re-publish my thoughts here.
Most of the talk when the lights went up at my screening, positive and negative, was about the technology behind the film. And one has to wonder if that fact alone doesn’t make the movie something of a failure by James Cameron’s standards.
The bloody good news is that I was house-sitting this past week and caught up with
the current season of True Blood via HBO On Demand.
I’d just recently finished Season Two on DVD, and I was really bummed about having
to wait for a whole year to see where things went in Season Three (dodging spoilers all the while). As I’ve mentioned here before, True Blood is a pulpy kick.
I praised the inventive “premake” trailers of Ivan Guerrero six months ago, but have neglected to keep up with his work. My friend Stefan Blitz, proprietor of Forces of Geek, luckily keeps up with dad-gum near everything — so when I’m able to peruse that site I find gems like Guererro’s trailer for The Avengers (1952).
So I’ve been trying to finish laying out a post from Tuesday for hours now. When Comcast deigns to let me get online, Blogger does its best to screw up my text and fail to load my graphics, either crashing Safari or simply not responding in Chrome. You would think that Picasa, Blogger, and Chrome would communicate well, all being part of the Google empire, and you would be wrong.
Bryan Lee O’Malley’s Scott Pilgrim graphic novels started up during my unfortunate disconnect from the comics world. I still have yet to read even the first volume, despite strong recommendations, and so was part of the vast majority of the audience coming to Scott Pilgrim vs. the World as just a movie.
It’s a hell of a movie.
I may have scared off most readers, understandably ignorant of and disinterested in
the intricacies of DC Universe continuity, with yesterday’s post on Batman’s status quo. Which I’m loathe to do when recommending accessible graphic novels to civilians — but I wanted to properly set the backdrop for my review of Neil Gaiman and friends’ Batman: Whatever Happened to the Caped Crusader?. Since I don’t really consider the tales contained therein accessible, though, I suppose it’s all good.
Alex Ross cover to Batman #676 [digital] © 2008 DC Comics.
Last May brought the 70th anniversary of Batman’s debut in Detective Comics #27,
as I wrote around the time of the actual event. DC marked the occasion by killing him, during a storyline called RIP, not terribly long after introducing his son.
Or did it?