I praised the pleasant surprise that was John Oliver’s hosting of The Daily Show
when Jon Stewart took a sabbatical last summer. And I was not alone. Many TV critics predicted that Oliver would be promoted from correspondent to host of his own show — probably someplace other than Comedy Central, since a third half-hour* of satirical news and punditry there wasn’t likely. That someplace turned out to be HBO’s Last Week Tonight with John Oliver.
Last Thursday was International “Talk Like a Pirate” Day, and Comedy Central’s @Midnight celebrated with an appropriate Hashtag Wars segment [bad link] . As current as it is, the show tapes a little while before it actually airs to allow for editing, so the producers post the subject of each night’s segment on Twitter at about 11:30 p.m. ET and invite fans to join the fun early. My old buddy and occasional Blam’s Blog commenter Arben noticed the night’s subject, liked it, and gave me a heads-up so that I could brainstorm along with him, then graciously let me to add some of his entries to mine for publication here for a total of our...
Top Twelve Pirate TV Shows
12. The Plunder Years
11. One and a Half Legs
10. So You Think You Can Penzance
9. The Avast-Me-Hearty Boys
8. Doubloony Tunes
Photo: Al Levine for NBC © 1982.
What’s most surprising about Don Pardo’s passing in August is either half of this sentence taken with the other: He was 96 and still working as the primary voice of Saturday Night Live.
Just imagine Humphrey Bogart playing Sam Spade as Sam Wilson — a 1941 version
of Sam Wilson, private eye turned Captain America’s unofficial and unorthodox partner.
That’s what I did in this mockup for the mashup Captain America and the Maltese Falcon. Ever since brainstorming the title a couple of years ago for a hashtag game on Twitter, I’ve found its Reese’s Peanut-Butter Cup potential hard to shake.
That was a really difficult post title to type.
Original photo: Jim Britt for ABC © 1978.
I was introduced to Robin Williams, who died on Monday at 63, as Mork from Ork
— first on Happy Days; then, of course, on Mork & Mindy. Although I’m two decades younger, I aged with him, through his stand-up and dramatic roles and talk-show appearances and film comedies and, just this past year, his return to network TV.
Which I think is a big part of why his death hits so hard.
As I think I’ve said here before, I prefer to have a nice buffer between reading books
and watching the movies on which they’re based — with the book, ideally, coming first.
The film adaptation of Gillian Flynn’s Gone Girl is scheduled to open in early October, so I’m glad to have finished the novel last week. I don’t want to spoil even a bit of it for those who haven’t, but I will say that it’s both a page-turner of a mystery and a surprisingly dark, incisive look at domestic partnership.
While I’m not sure whether the film attempts to evoke the book’s structure, I suspect
by dint of that alone they’ll be different enough works that you could pick up the book in the next few weeks and have the movie feel like its own thing when it rolls out. I’m still chewing on the controversial ending; I recommend the book, though, and hope to read Flynn’s previous novels sometime.
Related: A Great Escape • Grit Expectations • Forest Gumption
