In early August, Miss Violet DeVille asked for suggestions on Twitter for the title of a burlesque show based on the work of Neil Gaiman.
Naturally, I threw out a few ideas. They all riffed on Gaiman book titles; at least one of them was redundant to someone quicker on the draw.
While I’ve been thinking about running them on the blog as a Top X list, there are just five — and that’s counting the one that I came up with belatedly for the title of this post. So I decided to monkey with the covers to the books in question to spice things up visually. Comme ça:
You’re not gonna get these if you aren’t familiar with the original books, of course.
So a little while back I finished reading Neil Gaiman’s The Graveyard Book, over 300 pages of prose with chapter-break illustrations from Dave McKean. It was released last year by HarperCollins in the US.
The high-concept pitch for the novel would probably be “What if Harry Potter were raised by ghosts in an English graveyard?”
And it would be silly for a number of reasons, the least of which are that the book’s central character, Bod, isn’t a wizard, and that the book was awarded the 2009 John Newbery Medal for the Most Distinguished Contribution to American Literature for Children, which to some is recommendation enough.
Friday the 13th — a fitting day to talk about Coraline.
The movie, directed and written for the screen by Henry Selick, is an infectious romp with some truly spectacular set pieces. Depending on how audiences react to the darker aspects, it’s sure to become either a cult or mass favorite. But very early on came that familiar twinge of kinda wishing I hadn’t read the book.
Written by Neil Gaiman, and the winner of a Hugo among other awards given to science-fiction, horror, or fantasy works, Coraline the book was good. The problem is that, as prose fiction will do, it calls heavily upon the reader’s imagination to illustrate Coraline’s worlds, aided by Dave McKean’s cover and occasional black-&-white interior art. Gaiman and McKean broke into the American comics market together over 20 years ago with Black Orchid for DC, and McKean produced covers for Gaiman’s landmark series The Sandman.
